As virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say
The breath goes now, and some say, No:
So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move;
'Twere profanation of our joys
To tell the laity our love.
Moving of th' earth brings harms and fears,
Men reckon what it did, and meant;
But trepidation of the spheres,
Though greater far, is innocent.
Dull sublunary lovers' love
(Whose soul is sense) cannot admit
Absence, because it doth remove
Those things which elemented it.
But we by a love so much refined,
That our selves know not what it is,
Inter-assured of the mind,
Care less, eyes, lips, and hands to miss.
Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion,
Like gold to airy thinness beat.
If they be two, they are two so
As stiff twin compasses are two;
Thy soul, the fixed foot, makes no show
To move, but doth, if the other do.
And though it in the center sit,
Yet when the other far doth roam,
It leans and hearkens after it,
And grows erect, as that comes home.
Such wilt thou be to me, who must,
Like th' other foot, obliquely run;
Thy firmness makes my circle just,
And makes me end where I begun
A
Valediction : Forbidding mourning is a classic metaphysical poem written by the
leading figure in the metaphysical group of poets John Donne. As a typical
metaphysical poem it begins abruptly with an unlikely comparison. He states
that virtuous men die gently Without making any fuss. Even their friends cannot
detect whether the soul left or not from their body. Because the death happens
so slightly in an easeful manner. Similarly the speaker is about to leave his
home. He does not expect tearful lamentation and noisy mourning from his
wife.
He in fact wants to express such a refined version
of spiritual love towards the ordinary people. He states that these kind of
unnecessary or showy expressions such as tears Sighs and lamination destroy
their happy life. Thus, the speaker wanted to pass gently as the soul leaves
from the body of a virtuous person.
Natural disasters like earthquakes lead to troubles
and harms. men shall definitely discuss the cause and effect of such incidents.
But far away there are certain movements happening in the solar system or in
the sphear of earth. that never unsettle the living beings as it is just a
habitual action and human kind is least bothered about it. The speaker actually
wanted to convey the fact that his movement too should be that much innocent
and peaceful.
Ordinary lovers (common folks) cannot accept this separation.
It may seriously damage their love. This physical distance perhaps affect their
true love.
The speaker wants to assert that their love is
special as it is refined in spiritual sense. the bond of the mind is beyond
explanation, there is no role for the physical beauty such as eyes, lips and
hand.
Their two physical bodies are united with a single
soul. As he moves there is no chance for a break but only and expansion. Their
love is that much genuine and as flexible as gold. The fine metal gold can be
converted into any form while all other metals may break; while the
malleability of the gold is remarkable. Thus, by using this metaphysical
conceit the speaker compares his love with the fine metal gold.
Here comes the classic example of the metaphysical
conceit. later the speaker equates his love with the stiff twin compass. In
order to form a perfect circle one foot should be always fixed, so his wife
remains in the home contemplating the true love while the husband leaves and
works for their family.
This unlike but rational as well as logical
comparison is the unique quality of a metaphysical poem they unified the sense
of emotion and intellect. The speaker concludes the poem by saying that
"Thy firmness makes my circle just and makes me end where I begun". Their
circle of life becomes perfect. Because of their bond of love is firm and
unshakable.
A Valediction : Forbidding mourning
as a Metaphysical
Poem
The term ‘Metaphysical Poets’ was coined by Dr.
Samuel Johnson to describe the 17th century poets including John Donne, George
Herbert, Andrew Marvell and Abraham Cowley. They had a rational and
intellectual view points towards poetry and remarkably unified the
sensibilities of emotion and intellect.
Their poetry is characterized by abrupt beginning,
random and unlike comparison, verbal humour along with life philosophy and
heavy use of literary devices like metaphor, irony, paradox and hyperbole.
According to Dr.Samuel Johnson "the
metaphysical poets were men of learning, and, to show their learning was their
whole endeavour". They possess a modern sensibility as they brought daring
experimentation in the field of poetry both in form and theme.
Following are the general features of metaphysical poetry:
·
It discarded all the conventional traditions and
poetic diction as it is argumentative or conversational in form and employs
colloquial expressions.
·
More logical analytical and philosophic rather than
romantic.
·
Random and candid expressions.
·
Extremely intelligent and witty.
·
Use of metaphysical conceit (unconventional
comparison) - mixing of two unlike things.
·
Brings ideas from various disciplines like
geography, science, religion, mathematics and astronomy.
After all they are great scholars and their
intelligence reflected in the verses.
The poem a valediction forbidding mourning begins
abruptly with an unusual rather shocking and unexpected comparison. As the
speaker compares his leaving home with the death of a virtuous man and goes on
with these sort of Frank and irregular comparisons. Later he compares his
movement with the movement of solar system. Donne heavily uses figures of
speech such as extended metaphor and hyperbole. Later, concludes the poem with
two dignified metaphysical conceits such as gold and compass.
