Writing style of Philip Larkin as a 20th century movement poet

 

Philip Larkin (1922-1985) is regarded as one of the most significant poets of the 20th century, and his work is often associated with the "Movement" in British poetry. The Movement was a group of poets who emerged in the 1950s and 1960s and shared certain thematic and stylistic characteristics. Larkin, along with other poets like Kingsley Amis, Thom Gunn, and Donald Davie, is considered a key figure of this literary movement.

 

Following are the features of a movement poetry

Rejection of Romanticism: The Movement poets rejected the lofty and idealistic themes of Romantic poetry. Instead, they focused on everyday life, the mundane, and ordinary experiences. Larkin's poetry reflects this aspect of the Movement. He often wrote about common subjects like aging, loneliness, and disappointment in love and life. His poem "Toads" is a prime example of how he elevates mundane daily routines to explore deeper existential questions.

 

Realism and Detachment from sentiments: Movement poets sought to convey a sense of realism, avoiding sentimentalism and overt emotional expression. Larkin's poems frequently demonstrate a detached and ironic tone, which sets him apart from earlier Romantic poets. In "This Be The Verse," he uses direct and unadorned language to address the complexities of family relationships.

 

Precise and Accessible Language: The Movement poets aimed to use clear and straightforward language, making their poetry accessible to a wider audience. Larkin's poems are renowned for their precision and simplicity. He often employed everyday language to communicate profound ideas. "An Arundel Tomb" is an example of Larkin's ability to evoke powerful emotions through precise and accessible language.

 

Focus on the Individual: The Movement poets emphasized the individual's experience and perspective in their poetry. Larkin's works frequently delve into the inner thoughts highlighting the human condition. Poems like "Aubade" and "Mr. Bleaney" explore the existential fears and anxieties of the individual, making them emblematic of the Movement's focus on the self.

 

Skepticism and Disillusionment: Another characteristic of the Movement poets was their skepticism and disillusionment with grand ideologies. Larkin's poetry often reflects a sense of disillusionment with societal norms and values. In "High Windows," for instance, he challenges conventional attitudes towards sex and morality, expressing a sense of rebellion and critique.

 

Urban Landscape and Modern Life: The Movement poets were influenced by the changing urban landscape and modern life. Larkin's poetry frequently depicts the urban environment, exploring the impact of modernity on individuals and society. Poems like "The Whitsun Weddings" capture the essence of post-war England and the impact of societal changes on people's lives.

 

While Philip Larkin undoubtedly embodies many characteristics of the Movement, it is important to note that his poetry goes beyond the confines of any specific literary group. His unique voice, astute observations, and masterful use of language make him a standout poet of the 20th century, transcending any categorization. Larkin's deep explorations of the human condition, his unflinching examination of life's complexities, and his ability to find beauty and meaning in the ordinary set him apart as a truly exceptional poet of his time.

 

Philip Larkin's significance as a 20th-century poet lies in his ability to use accessible language to convey profound insights into the human condition. His realism, emotional restraint, and exploration of universal themes continue to resonate with readers, making him a lasting and influential figure in modern poetry. Despite the controversies surrounding some aspects of his work, Larkin's enduring legacy as a poet remains firmly established.