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London By William Blake summary and analysis

 

London

I wander thro' each charter'd street,

Near where the charter'd Thames does flow. 

And mark in every face I meet

Marks of weakness, marks of woe.

 

In every cry of every Man,

In every Infants cry of fear,

In every voice: in every ban,

The mind-forg'd manacles I hear 

 

How the Chimney-sweepers cry

Every blackning Church appalls, 

And the hapless Soldiers sigh

Runs in blood down Palace walls 

 

But most thro' midnight streets I hear

How the youthful Harlots curse

Blasts the new-born Infants tear 

And blights with plagues the Marriage hearse

 

"London" by William Blake is a poem that explores the social and political issues of the 19th century, particularly focusing on the harsh conditions and suffering faced by various individuals in the city of London.

At the outset, the speaker talks about his movement through the city, suggesting the structured and organized nature of urban life. The mention of the River Thames, which runs through London, emphasizes the geographical setting. The term "charter'd" is repeated, reinforcing the idea of the city being constrained or restricted by formal arrangements. The speaker observes the faces of the people they encounter, noting signs of vulnerability and sorrow. This sets the tone for the poem, suggesting that the city's inhabitants are burdened with troubles and hardships. The speaker hears the collective suffering and anguish in the cries of men and infants. The term "mind-forg'd manacles" implies that mental or psychological sufferngs, suggesting that social constraints and oppressive conditions are internalized by individuals.

The mention of chimney-sweepers crying suggests the plight of child laborers, who were often subjected to harsh conditions. The "blackening Church" may symbolize corruption or moral decay within religious institutions.

The soldiers' sighs are metaphorically depicted as flowing down the walls of the palace in blood, suggesting that the consequences of war and conflict reach even the highest levels of society.

The speaker emphasizes the negative aspects of the city, particularly focusing on the curse of young prostitutes. The "new-born Infants tear" suggests the impact on innocent lives, and the phrase "blights with plagues the Marriage hearse" implies that the corruption and moral decay extend to the institution of marriage.

"London" by William Blake is a poignant and critical exploration of the social, political, and moral issues prevalent in the city during the late 18th century. Blake, a visionary poet, uses vivid imagery and symbolism to convey a sense of the pervasive suffering, oppression, and corruption he perceives in the urban landscape.

The poem serves as a social critique of the city of London, portraying it as a place marked by suffering and despair. Blake, through the speaker's observations, highlights the harsh conditions faced by different segments of society, such as chimney-sweepers, soldiers, infants, and prostitutes.

The repeated use of "charter'd" suggests a sense of restriction or confinement, perhaps alluding to the regulated and controlled nature of city life. The River Thames serves as a symbolic backdrop, representing the flow of life and society, but also carrying the burdens and troubles of the people.

 The imagery of faces bearing "marks of weakness" and "marks of woe" paints a vivid picture of the emotional and physical condition of the individuals. It suggests a society burdened with hardships and vulnerabilities.

Chimney-sweepers, Church, Soldiers: These symbols represent different facets of society, each reflecting a form of suffering or corruption. The chimney-sweepers symbolize exploited child labor, the blackening Church signifies moral decay within religious institutions, soldiers represent the toll of war.

The midnight streets evoke a sense of darkness and secrecy, aligning with the negative aspects of the city. The youthful harlots and the mention of a "Marriage hearse" emphasize the corruption and degradation of moral values within the institution of marriage.

While the poem reflects the specific context of Blake's time, its themes of social injustice, institutional corruption, and the dehumanizing effects of urbanization remain relevant across different periods.

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